Who wrote “Star Wars”? Every Writer In The ‘Star Wars’ Movie Franchise, In Chronological Order

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Every epic franchise has to start somewhere. George Lucas envisioned a sprawling space opera when he sat down to write star wars. It could not be contained by a single film, but today’s multimedia saga was not given in the mid-1970s.

As Lucas developed his most famous work, the story went through many changes and the first film was written with little idea that sequels would or could happen. The sometimes hazy approach to the saga’s scripts has caused some canon issues as it has grown. A good example is when Lucas, never convinced that his first film would succeed at the box office, hired Alan Dean Foster to continue the story before Star Wars: A New Hopethe exit. Foster’s 1978 novel Spirit’s Eye Shard struggled to sit in canon even before Disney wiped the slate clean decades later. As Exhibit A, this book shows how change, opportunity, and luck have been crucial to the franchise’s messier moments and greatest successes over the past 40 years.

The only things truly immune to canon erasure are star wars movies. Heart of the franchise, they are final and irreproachable as some fans have asked for their removal. That said, the saga’s tradition of releasing narratively linked trilogies hasn’t made it easy to create cohesive storylines.

Even movies that aren’t trilogies struggled. A thug undergone many retakes, and Solo undergone a highly publicized director change in full production. That kind of unpredictability is just something that runs through the fabric of star wars.

We’re used to struggles between the light and dark sides of the Force onscreen, but it’s nothing some franchise writers have had to deal with. Here are the authors credited with all star wars movies.

Episode IV: A New Hope (1977) – George Lucas

Star Wars: A New Hope
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When his hopes of making a Flash Gordon movie dashed, Lucas set about writing a space opera in 1973. The rambling notes and frequent rewrites may have helped create an epic franchise rich in background, but it delayed his treatment. Lucas called the process “a good idea in search of a story”.

Several reworkings led to a sprawling storyline that Lucas sliced ​​into different chapters as he focused on a central trilogy. Drawing on Many Influences – by Akira Kurosawa The hidden fortress at Joseph Campbell The hero with a thousand faces — budget discussions and Ralph McQuarrie’s famous concept art informed the writing process. While Lucas completed the shooting script just before production began, he rewrote it throughout filming. Tiny bits like Obi-Wan’s death were apparently late additions.

Episode V: The Empire Strikes Back (1980) – George Lucas, Leigh Brackett and Lawrence Kasdan

Earth Vader and Luke Skywalker face off in
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star wars, as the first film was then known, was a phenomenon, but the heavy experience of directing the first film was enough for Lucas to step back and leave a rough story outline in the hands of other writers. He knew the film would be darker and bigger, and hired sci-fi prose veteran Leigh Brackett to write it. She also specialized in fast-paced screen dialogue, as seen in films like 1946. The Great Sleep. It sounded like a perfect match, but it’s believed that none of his dialogue made the shooting script.

Brackett died shortly after filing her draft in 1978. While many components remained, Lucas disliked her characterizations and took to rephrasing, despite supporting her co-writer credit on the film ended while uncredited. Lucas then brought in Lawrence Kasdan after his work on the Lucas-produced film The Raiders of the Lost Ark. Kasdan, Lucas, and director Irvin Kershner crafted the script.

Episode VI: Return of the Jedi (1983) – Lawrence Kasdan and George Lucas

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The original trilogy’s finale feels like a slightly easier affair than its predecessors. Lucas and Kasdan reunited to write the third film, with uncredited contributions from screenwriter David Peoples and director Richard Marquand. Still, the script didn’t arrive until after the production schedule and budget had been created.

For the shooting script, Lucas, Kasdan, Marquand, and producer Howard Kazanjian spoke for two weeks before Kasdan put it together from the tape transcripts.

Episode I: The Phantom Menace (1999) – George Lucas

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Lucas returned to his broad story arc for the earlier films. The narrative and popularity of the original trilogy meant that these stories had to center around the downfall of Darth Vader. To put it bluntly, advancements in technology and a massive increase in budget allowed Lucas to finally achieve the epic scale he originally envisioned.

The result abandoned the simplicity of previous films and weaved together several strands of intrigue. It took a while to write, which means it was run alongside pre-production. The project was too intimidating for other directors, so Lucas took up the bullhorn three years after beginning the writing process.

Episode II: Attack of the Clones (2002) —George Lucas and Jonathan Hales

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The Phantom Menace‘s gave Lucas pause when it came to scripting the second part of the confirmed trilogy. Despite having a three-year release window, it hugely affected the writing and production.

Sets and costumes have been confirmed without a script; Lucas didn’t complete a draft until three months before filming. He then brought in British television screenwriter Jonathan Hales for the third draft, handed in a week before photography began.

Episode III: Revenge of the Sith —George Lucas

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While Lucas developed his prequel trilogy from overarching plot points, Revenge of the Sith was most fully formed, thanks to the then-canonical bonds that had developed since Return of the Jedi. Arguably the most successful prequel film, thanks to its momentum and structure, Lucas began writing the screenplay before attack of the clones has been freed.

Lucas was mostly concerned about Anakin Skywalker’s fall to the dark side. As we know, the result contributed heavily to the young Jedi’s forbidden love for Padme.

Episode VII: The Force Awakens (2015) — JJ Abrams, Lawrence Kasdan and Michael Arndt

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The first one star wars film without the direct participation of George Lucas – no problem. Of course, there were plenty of footnotes, though Lucas maintains he had no involvement in the film after Disney rejected his sequel trilogy treatment.

The first screenplay was penned by Michael Arndt from a room of writers including Simon Kinberg, Pablo Hidalgo, Kiri Hart, and original trilogy veteran Kasdan. When production couldn’t spare Arndt time polishing his script, Kasdan and recently confirmed director JJ Abrams took over. They completed a new draft in six weeks, though hopes that the plot points would carry through the trilogy and create a more cohesive narrative than previous installments were beginning to fade.

Rogue One: A Star Wars Story (2016) – Chris Weitz and Tony Gilroy

Rogue One Jyn Erso
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During the filming of Episode IIIvisual effects supervisor John Knoll suggested this idea for the subject Star Wars: Underworld series. Under Disney’s leadership, the concept that relied on a disposable line in A new hope has been upgraded.

Video game designer and journalist Gary Whitta helped Knoll develop the story and hand in a script before Chris Weitz came aboard to produce the shooting script. When production ended, Tony Gilroy scripted the film’s many reshoots and oversaw the theatrical cut.

Episode VIII: The Last Jedi (2017) —Rian Johnson

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American writer-director Rian Johnson started talks with a pen Episode VIII in the summer of 2014. He became the only filmmaker other than George Lucas to write a star wars function by itself.

Typically, Johnson relied on plenty of references from his vast industry knowledge to craft a distinctive film, even if it wasn’t to everyone’s taste. Mark Hamill has publicly questioned his treatment of Luke Skywalker, and it remains one of the most controversial entries in the franchise.

Solo: A Star Wars Story (2018) — Jonathan Kasdan and Lawrence Kasdan

solo a star wars story
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the original star wars trilogy was filled with characters that captured the imagination. Young Han Solo narrowly avoided an appearance in Episode IIIbut a Solo spin-off had been in development since 2012 when Lucas hired Kasdan to write the script.

The project survived the Lucasfilm acquisition, but Kasdan passed the baton to his son Jonathan when he crossed over to write the force awakens. Solo’s tumultuous production and disappointing box office ultimately overshadowed the script.

Episode IX: The Rise of Skywalker (2019) — Colin Trevorrow, Derek Connolly, Chris Terrio and JJ Abrams

Star Wars: The Rise of Skywalker
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Disney’s time in charge of the star wars franchise was difficult. Rumors that Rian Johnson would pen the final two episodes lasted until Colin Treverrow – fresh off his success rejuvenating a certain dinosaur franchise – was hired to direct and write alongside longtime collaborator Derek Connolly. . Creative differences saw the pair depart two years later, leaving the longest writing credits in the saga’s history. Unworkable scripts after multiple drafts reportedly left Lucasfilm president Kathleen Kennedy unimpressed, even after Jack Thorne was brought in to rewrites.

With Abrams confirmed as the replacement director, he teamed up with Chris Terrio to rewrite the screenplay, although the pair had never worked together before. Another challenge came from studio-imposed plot points and the need to adjust to Carrie Fisher’s untimely death. Despite the good intentions of the beginning, the sequel trilogy is the least coherent star wars trilogy.